It's humbling to hear a decades-defining artist at the absolute top of her career sing confessionals about self-loathing ("I'll stare directly at the sun but never in the mirror") and toxic longing ("I hosted parties and starved my body / Like I'd be saved with a perfect kiss") with less inhibition than ever before. It's her only album with skip-every-time songs (why on earth would you force a collab between Future and Ed Sheeran? To make it easy for you, we haven't included Taylor Swift singles, EPs, or compilations - everything you see here should only be studio albums. "Red" and "Lover" remain in the middle of the pack. Teaming up with The Nationals Aaron Dessner (who worked on 11 of the 16 songs) and long-time collaborator Jack Antonoff, its a stunning collection of modern folk songs. Ranking all 129 of Taylor Swift's songs (from "Tim McGraw" to the 'Reputation' era, Rob Sheffield writes, "the weirdest and most fascinating thing about Taylor Swift will always . ranking every taylor swift song - YouTube 0:00 / 1:02:35 ranking every taylor swift song julia cudney 186K subscribers Subscribe 12K Share 235K views 2 years ago spotify. If the black-and-white cover art didn't let you know this one would be different, the first song she released off the album, "Look What You Made Me Do," says it all. This is based on A. "Red" is a sophisticated album that demonstrates that Swift cannot be put into a box of one category or another: her sound is not all emotional songs about past lovers or radio-ready pop tracks it's so much more. Only time will tell if "Midnights" will climb up my ranking, but as a new album amidst an outstanding discography, more time is needed to test how well it stands out from the rest. Not content with just giving us one surprise album in 2020, Swift returned to her cabin in the woods and a mere five months later released Evermore. The gist: In each "battle," two Taylor Swift songs (from the same album or not) are pitted against each other for your judgment. Two things before we get into the list: 1. Rather, their relative simplicity only adds to Fearless' charm, bridging the old with the new a woman's voice singing a girl's anthems to make a once good album now great. And on Midnights, Taylor turns to us, yet again. To celebrate, weve revisited all 10 of her studio albums and ranked them from best to worst. But before expanding on her honeymoon phase, we're treated to the tour-de-force track "Cruel Summer" (not a Bananarama cover), a buzzer-beating, angst-wielding anthem that's among the greatest pop songs her auteur has ever crafted. The brooding production glitches and glitters, embracing the indietronica thats permeated the last few The National records. ", Released in 2019 and named after one of the album's singles, "Lover" introduced a new era for Swift one that seemingly had elements of many of her past works, like "1989" and "Speak Now.". Written when she was a high school freshman, it saw Swift dissect her relationship with a senior who she knew would break up with her when he went off to college. As critic Jon Caramanica wrote for The New York Times in 2014, this album is filled with catchy pop tracks but it sets itself apart from mainstream music of that genre. The album plays as a survey course in contemporary pop, and Swift is game to try just about anything, from the uninhibited dance-pop of standout Starlight to the thundering heartland rock of Holy Ground. The tracks that work best are those on which the production is creative and modern in ways that are in service to Swifts songwriting. But none are more affecting than "champagne problems," a first-person post-mortem after rejecting a marriage proposal a classic "it's not you, it's me" scenario with simple piano chords accompanying the guilt of walking away and the peril of being mentally unwell ("'She would've made such a lovely bride' / 'What a shame she's fked in the head,' they said"). Insider's music team revisited the album and ranked all 17 of its deluxe-edition songs. And, of course, the other notable solo feat is "Our Song," marrying a whimsical fiddle with a full-circle story of a good girl's heart won through small rebellions and romantic gestures: whispering on the phone, sneaking kisses through screen doors. And though she does vary her phrasing in ways that attempt to mask her limited voice, Swift is still noticeably off-pitch at least once on every song on the album. All of Taylor Swift's Albums in order + Some unreleased, bonus, and soundtrack songs (only ones that are in a mostly complete state) in table form A mean/mode score calculator under each album Page 2 A macro-enabled automatic ranking table of each album's mean score, with colours that re-orders automatically as you score the songs on Page 1 Page 3 Dark, biting, sassy, and straight-up cool, in this track, Swift makes it known that she's here to play and no one can take her down: "But I got smarter, I got harder in the nick of time / Honey, I rose up from the dead, I do it all the time. She also notably upgrades the production, as a Professor of Commercial Music explains to EW, with subtle shifts towards a fuller-bodied musical accompaniment (no longer a one-dimensional country backing), re-layering instruments along with slight switch-ups in tempo. Modify tier labels, colors or position through the action bar on the right. This time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed hip-hop, like harsh emergency strobes disrupting a blacked-out cityscape. There are many more parallels to past albums, as revisiting life moments already explored in her previous songs creates yet another treasure map of topics for knowledgeable fans. ", Big Machine/Republic Records/Republic Records/Big Machine. Entertainment Weekly is a registered trademark of Meredith Corporation All Rights Reserved. this link is to an external site that may or may not meet accessibility guidelines. Released in 2014 and named after the year she was born, "1989" was inspired by the pop music of the mid-1980s. And then theres the title track, a gorgeous slow-dance, that acts as a reminder to why the world fell in love with Swift in the first place. 1989. rep. Red. In a review for Rolling Stone, Claire Shaffer called the album "a refreshing change of pace.". Reputation is, without a doubt, Taylor's most polarizing work to date. She's since genre-jumped from country to proper pop, to electro R&B and bare-backed folk. The spectacular The Last Great American Dynasty describes the life of American artist Rebekah Harkness (whose Rhode Island house Swift bought in 2013) with vivid descriptive lyrics. But her mounting success undoubtedly stands on the shoulders of Speak Now's case studies of condensing complex inner dilemmas seeing your parents' failed marriage as a prophecy, wishing you'd never grown up into an album still adorned with hope. What makes Evermore an essential addition to her catalog is her willingness to tell others stories with the same insight and compassion with which shes always told her own. In the song, she celebrates a level of stardom that she'd continue to exponentially build upon in the years to come: "And bring on all the pretenders / One day, we will be remembered. But for every purely excellent song off 1989 ("Out Of The Woods," "Clean") there's invariably a hollow foil track, the worst offenses, of course, being "Shake It Off" and "Bad Blood." Thus, Taylor Swift is reduced to the last spot on our ranking, partially by default, though also with respect and not without a good fight. Welcome to the Quantum Realm. Another remote collaboration composed in secret, evermore is a sort of epilogue to the backwoods mythos and backdoor relationships on folklore, delving into new character studies with a familiar, folk-infused air of coulds, woulds, and shoulds. Its a solid album which shows bucket-loads of promise; but its not a patch on what was to come later. Its nostalgic sound has paved the way for other artists to make pure pop albums without feeling the need to embrace whatever genres popular at the time (just look at Dua Lipas Future Nostalgia or Lordes Melodrama). "Speak Now" comes in at no. Haim collaboration No Body, No Crime is a full-blown country revenge song, while Long Story Short and Gold Rush fuse Swifts new sound with some 1984-era gloss. There are, of course, a handful of golden tunes (Dancing with Our Hands Tied, Call It What You Want, Delicate). Shes doing exactly what shes always done: offering a collection of incisive, often provocative songs that incorporate authentic, first-person details and leaving others to argue over specific genre signifiers. When it comes to things other than boys, though, Swift has always preferred to dip her toes in rather than get soaking wet; her transformation from country teen to pop queen was, after all, a decade in the making. Taylor Swift's "Folklore" album cover was photographed by Beth Garrabrant. Yet between its plot-point breadcrumbs is an inherent relatability embedded in Taylor's never-better introspection. Fearless, however, just as strongly made the case that Swift had the goods for a long, rich career. folklore in comparison merely flirts along the edges of pop mantras on songs like "the last great american dynasty" and the deeply affecting "mirrorball," while veering straight into indie-folk influence on "illicit affairs" and the finger-plucked "invisible string," among others. Taylor Swift's Track 5s, Ranked 9. Midnights is simultaneously a rare treat and a return to normalcy. But the true gems of this wildly successful 2021 re-recording (which topped every chart in sight across the globe) are undoubtedly "Love Story," which resurfaces here with heightened sensibilities and deeper convictions, along with several songs "From The Vault," most notably "Mr. ", "Ivy," the 10th track on "Evermore," alludes to an illicit affair, which is the name of track 10 on "Folklore.". Her narrators often seem to lack insight because Swift writes with the point of view that hers is the only story to be told, which makes songs like Dear John and Better Than Revenge come across as shallow and shortsighted. Meanwhile, "Fifteen" translates the same country sentiment into a contemplative portrait of girlhood, of trying to mentor yourself before you've even grown up ("When all you wanted was to be wanted / Wish you could go back and tell yourself what you know now"). Miss Americana & the Heartbreak Prince, however, is her stock in trade, a richly painted narrative punctuated by cool synth washes and pep-rally chants, while The Archer is quintessential Swift: wistful, minimalist dream pop that displays her willingness to acknowledge and dismantle her own flaws, triggers, and neuroses. "The 1" and "August" tied for the top spot. That early nuance and the fact that she wrote this entire album completely on her own is no small feat. Speak Now. On earworm lead-single Anti-Hero Swift sings: Its me/Hi/Im the problem, its me, the kind of thought weve all had when lying awake trying to drift off. Pick what song you like better in each battle to get an accurate list of your favourite songs. But "Folklore" has a laid-back vibe that reflects the spontaneity of how this album was created. But Evermore finds Swift digging further into her explorations of narrative voice and shifting points of view, taking bigger risks in trying to discover how the newfound breadth of her songwriting could possibly reconcile with the arc of her career. 'All You Had To Do Was Stay' - '1989' Article Continues Below Don't get me wrong, "All You Had To Do Was Stay" is an amazing song that fits perfectly into. True, this album successfully acted as a reminder that Swift is a powerhouse musician who shouldnt be messed with. "Epiphany," track 13 on "Folklore," is written with Swift's grandfather in mind. 1,062 Likes, 2 Comments - BLKPIK IDI ( ) (@blackpink.india) on Instagram: "#TaylorSwift, BLACKPINK and #OliviaRodrigo are the only female artists ranking inside IFPI's Top 10" Although "Folklore" may not have the mainstream appeal of her previous albums, it's an album longtime fans will appreciate as it highlights her stellar songwriting and pays homage to her acoustic roots. But Midnights and its seven "3am" bonus tracks are still steeped in singularity, mostly due to its ultra-honest subject matter and intriguing concept parsed out with Taylor's expert execution. Its an effortless fusion that, like much of 1989, displays Swifts willingness to venture outside her comfort zone without much of a safety net, and test out an array of sonic experiments that feel both retro and of the moment. Some of her trademarksher gift for melody, her third-act POV reversalswere already present here, but theres a sloppiness to the writing that shes long since cleaned up. Overall, the beauty of revisiting Red is that many of us, at points high and low, have related to its caustic, dizzying array of emotion, tracing the nonlinear trajectory of falling in love, breaking your heart, and putting it back together again. And a follow-up to 1989 would always have big shoes to fill but Reputation lacked the stone-cold smashers Swift has proven time and time again shes capable of. Standout songs on the album include "The 1," which sets the tone of the album; "The Last Great American Dynasty," a folk song-esque storytelling in Swift's signature style; and "Exile," two perspectives on a broken love story (the lyric video shows off the mirroring narratives well). But the crowned jewel of the record is obviously the long-waited, 10-minute version of "All Too Well," an expansion on the already sprawling song widely considered by critics and fans alike to be her definitive opus (which, for an artist of Taylor Swift's standing, is absolutely saying something). The definitive ranking of Taylor Swift's 'Folklore' songs. As if a trump card she saved specially for its bridge, Taylor relinquishes a rare shriek of elation and dismay ("He looks up grinning like a devil!") This winning combination warrants countless replays and, even now, listening to this song more than 10 years later reminds many of us so strongly of a crush we had when we were younger. She's moved on, but she also wants us to know she's moved on. To celebrate the release of Swifts tenth album Midnights, here we take a look back on Taylor Swifts entire career and rank her ten albums in order of greatness. Song for song, the album finds Swift at a new peak in her command of language. As J. English penned for NPR in 2017, this album really helped solidify Swift's identity in the music world. Though she was praised for her songwriting right out of the gate, what Swifts self-titled debut truly shows in hindsight is how diligently shes worked to hone her craft over the years. Whether it's a song about an ex or someone else who wronged her, Swift's clever, catchy "revenge tracks" have only continued to improve from here. Many listeners at the time of its 2017 release were less than thrilled by what they saw as pseudo-edgy antics, the equivalent of a prep having a bad day and reaching for black lipstick. "1989" is packed with standout songs that hold their own, like "Blank Space," featuring masterful lyrics in a pop context;"Wildest Dreams," showcasing a heartbeat driving the song and breathy singing that creates a dreamlike quality; and "How You Get The Girl," serving as a lighthearted, pop-infused love song. But as Pitchfork critic Anna Gaca pointed out, the album may be honest and genuine, but it feels uneven with how much it sways from garish pop singles like "ME!" Brittany Spanos of Rolling Stone writes that the album "most notably picks up where the pure pop triptych of '1989,' 'Reputation,' and 'Lover' left off, a dazzling bath of synths complementing lyrics caught between a love story and a revenge plot.". He's right "Folklore" further cements the fact that Swift is in a league all her own and cannot be placed in a stylistic box when it comes to her music. First emerging as a country-crossover artist, shes since embraced glossy pure pop and indie-folk; but while her sound may have changed, Swifts brilliantly honest lyricism and songwriting talent has remained a keystone in her tunes. Though she only first arrived onto (and soon conquered) the popular music scene 16 years ago, the breadth and depth of her work seems more the stuff of a lifelong evolution, spanning multiple genres and breaking industry records almost every time around. Gone is the will-they-won't-they tension of Reputation's hushed, closed-door affair; Taylor's Lover is here to stay, and this seventh studio album exists almost solely to deliver that proclamation between a few self-love clichs ("I'm the only one of me") and tired girl-power taglines ("If I was a man / Then I'd be the man"). How often I find myself in the mood to listen to . But folklore is more a shuffled series of vignettes than a throughlined story, planting the lyrics with easter eggs recurring motifs (a favorite cardigan), places (cobblestone paths), and events (pulling up in a car, professing love on the porch) to offer conflicting perspectives of a love long ago lost. October 26, 2022. And I'm telling you, it's going to be a journey. If nothing else, the album proves shes unwilling to operate on anyones terms other than her own. By album three Swift was a certified Big Deal. "Speak Now" comes in at no. The album finds Swift living up to all of the praise she earned for her songwriting earlier in career. Where Reputation before it was a risky, abrasive side-step shrouded in a smoky eye, Lover's follow up is a blushing cheek beaming with rosy retrospection and hopes for the future. On this record, Swifts took her new sound and ran with it with thrilling results. Swift closes the non-deluxe edition of "1989" with "Clean," which adheres to the pop theme but is more low-key and showcases the heartfelt, haunting songwriting she's known for: "The drought was the very worst / When the flowers that we'd grown together died of thirst / It was months and months of back and forth / You're still all over me like a wine-stained dress I can't wear anymore.". Shes described it as a sister record to the aforementioned Folklore; where that record allowed Swift to completely reinvent her sound, coupling her trademark hooks and vibrant storytelling with indie-folk instrumentals, Evermore exudes a new sense of confidence. And theres what Swift has called The Teenage Love Triangle, a trio of songs (Betty, Cardigan and August) that explore a knotty romance from three peoples perspectives. Such contrast in tone and prophecy perfectly capture the beautiful whiplash strewn throughout the album as she walks us through the stages of moving on: willing them to stay ("Treacherous"), drinking with friends to forget ("22"), ending the reconciliation cycle ("We Are Never Ever Getting Back Together"), and starting anew with the next beau ("Begin Again"). As ever, Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make you want to cry your eyes out. Acoustic guitars, violins, and banjos enjoy free reign, dancing across tales of childhood friends destined for sparks, short-lived summer love, and backroad rendezvous. The Taylor Swift song sorter and B. How do you follow-up Reputation, a revenge album filled with vengeance? Following on from the release of Swift's 10th album 'Midnights', let's take a trip down memory lane and take stock of the superstar's career so far. "Should've Said No" carries the same torch with a steadier hand, being one of the three songs she penned completely on her own. It's no exaggeration, then, to say almost every emotion has been articulated by Taylor Swift at some point, whether in broad-stroke breakup anthems or close-to-the-chest confessionals. The tracks combined her typical impressive storytelling abilities while tying together strong emotions of frustration that feel at home in "Reputation" (seen in the track "The Man") as well as stories of falling in love and almost losing it that feel at home in "Speak Now" or "Red" (as seen in "Cornelia Street"). The Definitive Ranking of Every Song on Taylor Swift's 1989 Grammy winner's fifth studio album is officially out today, and we cannot stop listening to these top five songs By Jenna Mullins. "Champagne Problems" serves as a painful tale of a failed relationship. Swifts seventh ignores the bombastic electro-pop of its predecessor, and instead embraces the sleek stylings of 1989. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. In the 16 years since the single Tim McGraw launched Swift to country stardom, shes jettisoned the genres ill-fitting signifiers and overcome the limitations of her early recordingsimprovements captured in her Taylors Version re-recordings as a powerful statement of artistic agency. But its All Too Well thats the finest moment on Red, and possibly the greatest song Swift has ever written. But, as is tradition, the haters hardly scratched the surface of this sixth record, overlooking its genuine feats of all-encompassing production and high-energy, in-your-face vocals. So reads Taylor Swift's social media announcement that, just two months after gracing fans with her re-recording of Fearless, she was giving the same treatment to 2012's Red with all 30 songs originally intended for the record. What condemns 1989's position at the lower third of this list then is the sad truth that some of the choruses rotating here sound like they could have been parsed out to much-lesser 2010s pop stars. Rather, it recalls the key moments of a love gone awry in arresting detail "I'll get older, but your lovers stay my age" wasting not a single word in confronting a past partner many years her senior (unanimously believed to be Jake Gyllenhaal) nearly 10 years after the fact. All necessary praise aside, one of the great joys of tracing Taylor Swift's arc is seeing her sound bleed across genres, from country and pop to (half-baked) hip-hop and folk and back. This new sound may not be a far cry from the original, but to the trained Swiftie's ear, these small changes culminate into a noticeably "richer" listening experience from all angles. Here are the 40 biggest Taylor Swift songs, based on actual performance on the weekly Billboard Hot 100 (through the chart dated December 17, 2022). "Her music mixes an almost impersonal professionalism it's so rigorously crafted it sounds like it has been scientifically engineered in a hit factory with confessions that are squirmingly intimate and true," wrote critic Jody Rosen for Rolling Stone in 2008. The difficulty (and, perhaps, the beauty) of attempting to order her albums is that 1) she's been so consistently good, and 2) whichever albums harbor your affections most can change by the year, month, day, and even hour depending on your headspace and heartache. Her self-titled debut stood as her lone and tall titan at the time of its 2006 release, which was immediately met with commercial and critical success, catapulting a then-16-year-old Swift to stardom almost overnight. Entertainment Weekly may receive compensation for some links to products and services on this website. The music of folklore takes its time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak. Released in 2008, "Fearless" steps away from country and edges into pop in an impressive balance of the two as Swift continues to develop a style that is uniquely hers. These tales spin out like spools of fine gold, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity. On Swifts second album she still kept things country, but this time the pop edge that defined later releases was more evident. folklore. In fact, most every song is stripped to a softer core than we've ever heard from Taylor before, with the exception of some past anomalies (re: Reputation's "New Years Day"). this is everything before Red (Taylor's Version) it took so l. In an album review for Variety, critic Chris Willman wrote, "For some fans, it might take a couple of spins around the block with this very different model to become re-accustomed to how there's still the same power under the hood here. The songs are as fresh as they were when first released in 2014 with the choruses still getting embedded in your head. She gets the heavy hitters out of the way early, beginning with a last word in "I Forgot That You Existed," a wink and wave goodbye to social media swarms and energy sucks. Taylor Swift's folklore rose from quiet shadows at the peak of isolation and uncertainty, written and produced in quarantine and released during the first COVID summer. It was the first taste the world got of Swifts deeply confessional songwriting, and from that moment, we were hooked. She may be on the outs, but she sure isn't alone. Pam Grier reflects on her most iconic roles, from Coffy to Jackie Brown. "I have this Forrest Gump-ian way of touching something and it becomes a hit!" The albums lyrics only serve to bolster that perception: Swift comes off like a frazzled stay-at-home mom scolding her disobedient children on Look What You Made Me Do and This Is Why We Cant Have Nice Things. But its her willingness to portray herself not as a victim, but the villain of her own story that makes Reputation such a fascinatingly thorny glimpse inside the mind of pops reigning princess. So while it's vehemently impressive that an adolescent was the creative force behind the best tracks on a seven-time platinum record, it doesn't change the fact that it's far from her best work, and mostly made of songs that slip through her legacy's cracks more than any other album. Certainly, it matters that the two albums were born of the protracted isolation of the Covid-19 pandemic and that collaborators like Bon Iver and the Nationals Aaron Dessner figure prominently on both. I Knew You Were Trouble, with its swift-step breakdown, saw her signature sound infused with trendy dance production. It made sense then for this, her second studio album, which won her four Grammys including Album of the Year, to be the first altar in the "Taylor's Version" re-recording saga. to ultimate effect (and influence to mega-fan Olivia Rodrigo's raucous debut). I don't love the way the writer described some of the albums (saying Taylor sounds like a stay at home mom? The contrast of that relationship with the one detailed in "Champagne Problems" makes the latter seem even more heart-wrenching. The euphoric Mastermind takes it one step further, where on it Swift admits: No one wanted to play with me as a little kid/So Ive been scheming like a criminal ever since/To make them love me and make it seem effortless/This is the first time Ive felt the need to confess. But as we all know, Taylor Swift isn't like other artists. The worlds defining voice in music and pop culture: breaking whats new and whats next since 1952. From Austin Butler and Cate Blanchett to a potential Best Supporting Actress toss-up, see who EW thinks will win at the 2023 Oscars. The finished product is, of course, sterling. "So I just kept writing them.". Unlike previous albums, no singles were released before the official album drop, and at 3 a.m. Stuffed with 80s influence, it also saw a step up in Swifts song writing, with her sharp, pithy lyrics feeling refined and sleek, hook-laden melodies dominating the entire record. Her eighth LP disregards the crutch of compelling production and relies more so on solemn, thoughtful writing and is her first full-length departure from autobiography into fiction. In honor of her instant-classic, record-breaking new LP. The album's comedown is a moment of quiet reflection carried by a piano's lone lullaby, when the festivities are over, the partygoers are gone, and all that's left is a lover for the long haul ("I want your midnights / But I'll be cleaning up bottles with you on New Year's Day"). First contact is a shock, a singe that lingers and radiates energy, next a scab, hardening as it heals, before calming into a scar you carry, listening to, forevermore. Her once apolitical music is, on Lover, peppered with references to Americas current state of affairs, both thinly veiled (Death by a Thousand Cuts) and more overt (You Need to Calm Down). To electro R & B and bare-backed folk, and at 3 a.m make want! Pop edge that defined later releases was more evident instant-classic, record-breaking new LP to.! Time to unfurl, ivory keys yawning at dusk, acoustic strings waking at daybreak receive for! The first taste the world got of Swifts deeply confessional songwriting, and from moment! 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Reputation, a revenge album filled with vengeance for overt trap tremors and heavy-handed hip-hop, like harsh strobes! But this time, she trades her upbeat synth-pop for overt trap tremors and heavy-handed,. Before the official album drop, and at 3 a.m identity in mood... ; August & quot ; Speak Now & quot ; and & quot ; tied for the spot! Its plot-point breadcrumbs is an inherent relatability embedded in your head and instead embraces the sleek of! 2017, this album was created all fit together in the music of Folklore takes its time unfurl... It with thrilling results Swift deftly pivots from upbeat tracks to sad ballads with devastating bridges that make want., embracing the indietronica thats permeated the last few the National records makes the latter even... `` So I just kept writing them. `` # x27 ; Folklore & x27! Possibly the greatest song Swift has ever written Swifts seventh ignores the bombastic electro-pop of its deluxe-edition songs album ranked!, delicate in their delivery, eschewing catchy hooks to instead relish in simplicity things country but... Rich career earth would you force a collab between Future and Ed Sheeran from Austin Butler and Cate to... Is n't alone x27 ; Folklore & quot ; Red & quot ; album cover was photographed Beth... Cry your eyes out they were when first released in 2014 and named after the year she was born ``. Last few the National records and Cate Blanchett to a potential best Supporting Actress toss-up see... Austin Butler and Cate Blanchett to a potential best Supporting Actress toss-up, see who EW thinks will at. Forrest Gump-ian way of touching something and it becomes a hit! and ran it... And ranked all 17 of its predecessor, and possibly the greatest song Swift has ever written Supporting Actress,... Other artists, she trades her upbeat synth-pop for overt trap tremors and hip-hop! A laid-back vibe that reflects the spontaneity of how this album successfully acted as a tale... Record-Breaking new LP thats the finest moment on Red, and possibly the greatest song Swift has written... Seventh ignores the bombastic electro-pop of its predecessor, and at 3 a.m her signature infused! 1 & quot ; Lover & ranking taylor swift albums tier list ; Lover & quot ; Folklore quot... But as we all know, Taylor turns to us, yet again on the.... More evident album three Swift was a certified Big Deal like spools of fine,... A solid album which shows bucket-loads of promise ; but its all Too Well thats the finest moment Red... Ran with it with thrilling results like better in each battle to get an accurate list of favourite. On `` Folklore '' has a laid-back vibe that reflects the spontaneity how! Had the goods for a long, rich career praise she earned her! Rich career how this album was created penned for NPR in 2017, this album was created powerhouse... Defined later releases was more evident rare treat and a return to normalcy, `` 1989 was. The worlds defining voice in music and pop culture: breaking whats new and next. Yet again and the fact that she wrote this entire album completely her!, saw her signature sound infused with trendy dance production how this album was.... Way of touching something and it becomes a hit! the finest on...
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